paper • 104 pages • 15.95
ISBN-13: 978-1-935536-13-0
Bear, Diamonds and Crane depicts the struggles of the Sansei—the grandchildren of Japanese immigrants—with drugs, body image, naming, inherited family lore, and with neighborhood racism. She traces the Sansei’s experience uncovering their parents’ and grandparents’ lives from fragmentary answers and silences: “There is truth here, in the gaps and lapses, but don’t ask where.” In villanelles, haiku, and lyric poems collaged from family letters, Kageyama-Ramakrishnan recounts the meaning of “Forgotten Names” on her maternal grandparents’ side (“Tsuru,” Crane, her grandmother’s maiden name, names a legendary Japanese creature which was a symbol for peace, longevity, fidelity). In “Trailing Fragments: Things to Keep Inside a Bento Box,” she shows how our varied experiences of the world fit alongside each other, “coppery tones for a flight to Europe […] tortillas at a taco stand between Venice and Santa Monica […] blue envelopes with coconut flakes and sugar, box / housing us.”
“1969,” from Bear, Diamonds and Crane:
Early morning breakfast.
Scrambled eggs and chopsticks.
A yellow dog howls
down
La Grange on the west side
of Los Angeles.
A new generation
survives.
The grandparents are Issei.
The parents, Nisei.
The children are third to wear
their lineage.
“In her highly anticipated second poetry collection, Bear, Diamonds and Crane, Claire Kageyama-Ramakrishnan’s distinct voice is familiar and fresh, heartbreaking and, at times, humorous. Recounting a history both shared and deeply personal, this collection spans generations, mourning the inevitable loss of one and welcoming another, while noting the burden that each must carry.” —Blas Falconer
“Bear, Diamonds and Crane, Claire Kageyama-Ramakrishnan’s important, new collection of clipped and disciplined autobiographical lyrics, dramatizes a matrilineal, family lineage from immigration in the nineteen-twenties, through her mother, Nisei generation and on into her own, California, Sansei self robing and celebrating the mysteries of personal identity as they intertwine with history and culture.” —Gregory Orr
“The author explores family, love, and loss, particularly among several generations of Japanese Americans, in beautifully distilled little gems that explore the very limits of poetry and of life: ‘Maybe you’ll agree that when you filter,/ you translate. You filter and you lose.’” —From the Best Poetry Books of 2011 List from Library Journal